Selasa, 22 Desember 2015

>> Ebook The Secret Sister, by Fotini Tsalikoglou

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The Secret Sister, by Fotini Tsalikoglou

The past isn’t over. It isn’t even past. For Jonathan, a third generation Greek American who has never set foot in his ancestral homeland, a journey to crisis-ridden contemporary Greece will unleash a century of buried family secrets.
 
From the burning quay at Smyrna to present day Manhattan, the Argyriou family has been pursued by disaster. In the 1922 Greco-Turkish War, little Frosso and her sister Erasmia flee as Turkish soldiers descend on their village. Orphaned and destitute, the two girls have only each other to rely on as they scrape together a life in the immigrant slums around Athens. Eighteen years later, Europe is stewing and Erasmia is offered a chance for a new life in America by her fiancé Menelaos. Compelled to leave by the impending war, Erasmia boards the ship “New Greece” with a heavy heart, but before the ship reaches harbor her grief takes hold and Erasmia throws herself into the ocean. A forlorn Meneloas returns to Greece and marries his beloved’s younger sister, Frosso, and the couple eventually settles in New York. They bestow on their only daughter the haunted name of her departed aunt but the burden of family history ultimately destroys Frosso and compels her son Jonathan to uncover the shadowy history of the Argyriou family.
 
Fotini Tsalikoglou’s poetic, atmospheric novel explores the blurred line between history and memory. Psychologically complex and deeply moving, The Secret Sister is a brilliant mediation on the irrepressible need for people to tell stories.

  • Sales Rank: #2695230 in Books
  • Published on: 2015-01-06
  • Released on: 2015-01-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.26" h x .40" w x 5.29" l, .0 pounds
  • Binding: Paperback
  • 128 pages

Review
"A hauntingly poignant look at the secret lives and memories of those with whom we consider ourselves closest and the ways in which places can be defined for generations by the secrets we keep and the truths we reveal." — World Literature Today

About the Author
Born in Athens, Greece, Fotini Tsalikoglou studied psychology at the University of Geneva.  She is the author of many celebrated novels published in Greece, including Eros Pharmakopoios, I Dreamed I Was Well, and I, Martha Freud. Tsalikoglou is currently a professor of psychology at Panteion University in Athens and a regular contributor to the Athens daily To Vima. The Secret Sister is her English language debut.

Most helpful customer reviews

2 of 2 people found the following review helpful.
"The land has surprises in store for us, Jonathan. Surprise is the antidote to fear"--Amalia.
By Mary Whipple
(3.5 stars) Greek author Fotini Tsalikoglou, in her first novel to be translated into English, introduces a man we come to know as Jonathan, along with the first of his family's many mysteries. Jonathan has just boarded a plane from New York City to Athens, and while sitting next to an empty seat in the plane, he speaks to it as if it were "Amalia." He is reminiscing about an unnamed woman who dragged him, as a small child, to museums all over New York to see Greek statues and pediments, but he is puzzled because, despite this behavior toward Greek art, she was clearly "revolted by her country." Her name was Lale Andersen, a name she chose when she changed it from the original, and she was Jonathan's "mutant mother."

What follows is a complex conversation in which two people, Jonathan and his sister Amalia, through changing times and places, discuss with each other their shared childhoods and differing memories. The author's use of italics to set off one speaker from the other is helpful, as Jonathan remembers his grandparents, their emigration from Greece to New York, and his own life as a boy without a father. The novel jumps around without warning, as he comments to himself about the plane trip and his decision to travel to Greece, interspersing observations in the present with memories from his past. Ultimately, the novel becomes Jonathan's story, and the past haunts every aspect of it.

The narrative, a series of brief reminiscences by Jonathan, Amalia, and their grandmother, requires the reader to pay careful attention to the text as it explores the complex meanings of identity and the importance of the past in determining one's future. Because it is so short (only 116 pages), and so limited in its exploration of the background of the several characters, the reader must depend on the author (and translator, Mary Kitroeff) for the context clues which explain Jonathan's journey, reveal his state of mind as he begins it, and justify his need for Amalia as a companion on the journey.

For some readers the information provided here may not be enough to make the main character's decision to go to Greece feel like the natural outgrowth of his experience, or make the ultimate fates of two other characters feel inevitable. The writing is intense, psychological, and filled with the mysteries of life both in the present and in the past, and how much influence these mysteries may have on the main characters is suggested, rather than stated. Some readers may diverge from the author's suggestions that we cannot escape the past - that we become who we are by the accidents of fate. Others may feel that we have more control over the present than what we see in the lives of Jonathan and Amalia. Many tantalizing questions remain as the novella comes to a close. Readers looking for a change of pace and an analysis of how much we may all be connected to and controlled by family secrets will find this novella a treasure trove of suggestions.

0 of 0 people found the following review helpful.
Memories and the present
By Eva Ing
As you delve into “The Secret Sister”, the reader is given a heads up on the content based on the haunting book cover. It’s an emotional story and shows the feelings and concerns of both the young woman Frosso and later the life of her older sister Erasima. Later the son, Jonathon makes his journey to Greece and we see his connection to his mother’s home country.

Thank you GoodReads for the book.

0 of 0 people found the following review helpful.
The past isn't over yet
By Waheed Rabbani
In January 2013, Jonathan Argyriou, a Manhattan-born third generation Greek-American, boards a plane in New York for Athens. Jonathan is travelling to Greece to learn more about his family. He was brought up by his grandparents and his alcoholic mother, and he doesn’t quite understand the relationship between his grandmother’s younger sister and his grandfather. Jonathan converses with his sister, Amalia, imagining she is occupying the empty seat next to him. We thus learn of the tragedies faced by the Argyriou family. Their ruin had begun during the 1922 Greco-Turkish War, when two orphaned sisters, little Erasmia and Frosso, had to flee Smyrna village for Athens. While Erasmia eventually manages to reach America, Frosso does not. By the time the planes reaches Athens, from his soul-searching and brainstorming with his sister, past memories flood back to Jonathan such that he himself recollects a good deal of his ancestry.

As noted on this book’s cover, Fortini Tsalikoglou’s novel indeed “explores the blurred line between history and memory.” While the short length of the novel does not permit detailed character development, the stream-of-consciousness writing style admirably fleshes out the story. Some readers might question Jonathan’s motive in embarking on such a long journey of discovery; however, it is his psychological frame of mind, muddled by family secrets, that Tsalikoglou portrays as one from which he cannot escape. Similar to Faulkner’s famous quote, Tsalikoglou notes: “The past is never over. It isn’t even past.” Nevertheless, the narrative is not an easy read, and were it not for the book’s evocative cover, and the informative flap and back cover text, the plot would take a huge effort to comprehend.

This review first appeared in the HNR magazine issue 73 (August 2015)

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Sabtu, 19 Desember 2015

** Download Summer of the Eagles (Jess Hazzard) (Volume 1), by Jackie Clay

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For five long years they tried to break him, but could not.

As he rides through the gates of the hellhole called the Wyoming Territorial Prison, Jess Hazzard's only desire is to get far away from people as fast as possible. Sitting atop the old, worn-out sorrel they gave him, he has only his meager gear, his guns, and his reputation.

Loathed for being half Apache, feared for his lightning-fast draw and deadly aim, and distrusted wherever he rides, he heads for the mountains to rest his soul and avoid the trouble that has dogged him his whole life. Little does he know his horse and a wounded man will soon set him on a new trail, one that will force him to question his beliefs, and survive being shot, beaten, blinded, and more as life challenges him in ways he never imagined possible.

Summer of the Eagles is a story of perseverance and stamina, of a man determined to overcome his past and make his dream of a future a reality.

  • Sales Rank: #1295473 in Books
  • Published on: 2015-01-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .49" w x 6.00" l, .64 pounds
  • Binding: Paperback
  • 214 pages

Most helpful customer reviews

7 of 7 people found the following review helpful.
Better than Lonesome Dove!
By Jenna Hurst
I could not put this book down! Brilliantly written with breathtaking scenery and excellent character development that paints a masterpiece for the reader. It makes you want to take a trip to Montana. The author keeps you voraciously tearing through the pages and at the end, you find yourself calculating the months and impatiently waiting for the release of "Autumn of the LOONS". Flawlessly done on every level. I enjoyed it more than Lonesome Dove and felt the characters in Summer of the Eagles were better developed and had more depth and emotion. Beautiful cover art and stellar editing only add to this great read. I can't wait to read more. I truly loved this book and would recommend anyone to take some time and enjoy it.

8 of 8 people found the following review helpful.
Loved, this book
By Mart
Loved, this book! My Family and I have long enjoyed Jackie Clay's homesteading and gardening blog in "Backwoods Home" magazine, and also her Growing and Canning your own foods and her cook book. I was really excited to read her first novel and was not disappointed!
I downloaded "Summer of the Eagles" on our Kindle, and could not put it down until I'd read the whole story! I am awaiting the next book in the series. Way to go Jackie!

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Jackie Clay has harnessed her ability to be closely tied ...
By Erin
Jackie Clay has harnessed her ability to be closely tied to the land and animals by making the readers feel, see and smell the surroundings as they go on the journey with Jess. This author's attention to detail and her imagination stand out above her peers, and she will continue to impress her audiences. Very well done!

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Rabu, 21 Oktober 2015

> PDF Download Dead Red (Raymond Donne Mysteries), by Tim O'Mara

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New York City school teacher Raymond Donne has no idea how bad his night is going to get when he picks up the phone. Ricky Torres, his old friend from his days as a cop, needs Ray's help, and he needs it right now---in the middle of the night. Ricky picks Ray up in the taxi he's been driving since returning from serving as a marine in Iraq, but before Ricky can tell Ray what's going on, the windows of the taxi explode under a hail of bullets killing Ricky and knocking Ray unconscious as he dives to pull his friend out of harm's way.

Ray would've done anything to help Ricky out while he was alive. Now that he's dead, he'll go to the same lengths to find out who did it and why. All he has to go on is that Ricky was working with Jack Knight, Ray's old nemesis, another ex-cop turned PI. They were investigating the disappearance of a PR giant's daughter who had ties to the same Brooklyn streets that all three of them used to work. Is that what got Ricky killed or was he into something even more dangerous? Was there anything that Ray could've done for him while he was alive? Is there anything he can do for him now?

Filled with the kinds of unexpected twists that make for the best crime fiction, and with secrets that run far deeper than loyalties, Dead Red is the most thrilling mystery yet in Tim O'Mara's widely acclaimed series.

  • Sales Rank: #1281206 in Books
  • Published on: 2015-01-20
  • Released on: 2015-01-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.52" h x 1.10" w x 6.36" l, 1.00 pounds
  • Binding: Hardcover
  • 320 pages

Review

“Tim O'Mara's Dead Red is pitch perfect, and Raymond Donne is a beautifully flawed Brooklyn hero.” ―Reed Farrel Coleman, author of Robert B. Parker’s Blind Spot

“Intriguing debut... Strong characters enhance the sturdy plot... O'Mara's Sacrifice Fly deserves an A-plus.” ―Oline H. Cogdill, Sun-Sentinel, on Sacrifice Fly

“Resounding debut.” ―Library Journal on Sacrifice Fly

“The well-drawn characters are what really bring this compelling debut to life... Donne is the type of character who keeps readers coming back for more, much in the manner of Michael Connelly's Harry Bosch or James Lee Burke's Dave Robicheaux. Here's hoping we see much more of him in the future.” ―Booklist on Sacrifice Fly

“Hopefully Mr. O'Mara has more adventures in mind for this character who quotes Whitman as readily as he does the penal code. And, he's a big-time baseball fan. What's not to like?” ―Daily Herald on Sacrifice Fly

About the Author

TIM O'MARA, author of Crooked Numbers and the Barry Award--nominated Sacrifice Fly, is a teacher in the New York City public-school system. He lives in Manhattan's Hell's Kitchen with his wife and daughter. Dead Red is his third Raymond Donne mystery.

Most helpful customer reviews

1 of 1 people found the following review helpful.
A Sharp Shooter Has School Teacher Raymond Donne in His Crosshairs in Tim O'Mara's Bloody Mystery, "Dead Red"
By J. B. Hoyos
Brooklyn school teacher Raymond Donne is sitting in Ricky Torres's cab when it is riddled with bullets. Torres is killed and Donne is hospitalized with a concussion. Later, a thug is found shot to death; another employee of the same cab company is wounded; and the teenage daughter of a wealthy PR man is missing. Donne is hired by a former cop and a former enemy, Jack Knight, to locate the missing teen, Angela Golden. While asking too many questions about Torres's murder, Donne and his reporter girlfriend, Allison Rogers, are targeted by a sniper.

"Dead Red" is Tim O'Mara's most violent mystery yet; it flows with blood. This time, Raymond Donne (pronounced "done") is not investigating the disappearance or death of a student, as he did in "Sacrifice Fly" and "Crooked Numbers." He is attempting to learn who killed a Marine, Ricky Torres, who had just returned from Iraq and was now driving for his cousin's cab company. Torres was also doing some PI work for Jack Knight. The mystery is a complex one, involving gun smuggling, crooked politicians, and prostitution. You may want to take a bath after reading this one.

O'Mara's latest installment is rich with three-dimensional characters that are good and evil, rich and poor, and young and old. Donne rubs shoulders with his cop buddies at his favorite cop bar, The LineUp, and rich celebrities at a charity gala event at The Top of the Strand. At his side is Allison Rogers who learns the difficulty of drawing the line between Girlfriend Allison and Reporter Allison. Computer geek Edward O'Brien returns as Donne's friend who, along with Allison, finds himself the target of an assassin. He learns (regretfully?) firsthand the dangers of being a PI.

Torres may have been killed on the first page of the mystery, but readers learn more about his troubled past in Iraq as the plot progresses. He was a mentally disturbed young man who became disillusioned with serving his country after witnessing extreme violence. Donne is also the victim of a violent past in which he fell, injuring his knees; the boy he was chasing was killed. A physical fitness trainer, Muscles Marinaccio, has been aiding in Donne's physical rehabilitation but he also needs mental therapy. Donne remains angry at God; Jack Knight shares his belief that a loving god wouldn't allow natural disasters and the cancer deaths of children.

The mystery in "Dead Red" is a high-caliber one. Who shot Ricky Torres and why? The answers aren't revealed until nearly the very end. In the meantime, there are many corpses that Donne stumbles upon, keeping the novel fast paced. Please don't misunderstand me; there are also a lot of other elements that keep the pages turning. There is a lot of human drama, including family drama (Ray's sister Rachael and his uncle, Chief Raymond Donne, weigh heavily into the plot), and baby drama (someone's going to have a baby). There is love and romance, but there is also betrayal and deception. If a good mystery is your target, "Dead Red" is the one to shoot at; you can't miss.

1 of 1 people found the following review helpful.
Stands Alone / Fascinating detective story
By Night Owl Reviews
Tim O'Mara gives us another fascinating detective story with his own twist to keep you intrigued and entertained. He takes you into the world of PI's, military, and murder. Readers are in for a treacherous journey that reveals secrets, lies, and tested loyalties.

The character development is compelling to the story and Tim delivers with a hero you can root for and a supporting cast to add depth to the story. The vivid description of the city makes you feel like you are walking the streets with Ray.

This is part of a series but can be read as a standalone. It is the third installment of the series and like the other two it keeps you intrigued for the long haul and leaves you ready for more.

Disclosure: Free review copy from the publisher/author for an honest review.
Review by: Karla Eakin

0 of 0 people found the following review helpful.
Great Thriller!
By PoCoKat
Dead Red is the third installment of the Raymond Donne Mystery series by author Tim O'Mara. This is the first book of O'Mara's that I've read. You do not have to read the first two in the series to get the full enjoyment of Dead Red. O'Mara is a good writer who draws the reader into the story quickly.

Set in New York City, we find school teacher Raymond Donne setting out to help an old friend, Ricky Torres. Ricky, who is now driving a taxi since returning from serving in Iraq, is about to pick up Raymond in his taxi when gun fire hits the taxi. Now Ricky is dead and Ray sets out to find his killer. There are lots of twists and turns in the action. A great thriller that kept me turning the pages long past when I should have been sleeping! Contemporary story line with a focus on the issues of returning soldiers. Great characters with realistic relationships.

I do recommend the book Dead Red and I'm looking forward to reading Mr. O'Mara's other books in the series.

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Selasa, 20 Oktober 2015

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Twenty Trillion Leagues Under the Sea, by Adam Roberts

Adam Roberts's Twenty Trillion Leagues Under the Sea revisits Jules Verne's classic novel in a collaboration with the illustrator behind a recent highly acclaimed edition of The Hunting of the Snark
It is 1958 and France's first nuclear submarine, Plongeur, leaves port for the first of its sea trials. On board, gathered together for the first time, are one of the Navy's most experienced captains and a tiny skeleton crew of sailors, engineers, and scientists. The Plongeur makes her first dive and goes down, and down and down. Out of control, the submarine plummets to a depth where the pressure will crush her hull, killing everyone on board, and beyond. The pressure builds, the hull protests, the crew prepare for death, the boat reaches the bottom of the sea and finds nothing. Her final dive continues, the pressure begins to relent, but the depth gauge is useless. They have gone miles down. Hundreds of miles, thousands, and so it goes on. Onboard the crew succumb to madness, betrayal, religious mania, and murder. Has the Plongeur left the limits of our world and gone elsewhere?

  • Sales Rank: #1340149 in Books
  • Published on: 2015-01-13
  • Released on: 2015-01-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.17" h x .90" w x 5.47" l, .0 pounds
  • Binding: Paperback
  • 320 pages

Review

Praise for Adam Roberts:

"Our most intellectually engaged and literary SF author, crafting sentences the equal of any by Ian McEwan or Kazuo Ishiguro." - "The Financial Times"

"[Roberts is] an accomplished sculptor of prose and a cunning satirist, all that SF should be, packed with brilliant ideas and clever examinations of the human condition." - "Deathray"

"Psychological depth in a picaresque protagonist: most unusual and very welcome...in line with Proustian concerns of memory, Cavala remembers not only himself but much of the central matter of the '50s satirical SF of Sheckley, Bester, Pohl and Kornbluth...very pleasing." - Nick Gevers, "Locus"

From the Inside Flap

Praise for author Adam Roberts:

"Our most intellectually engaged and literary SF author, crafting sentences the equal of any by Ian McEwan or Kazuo Ishiguro." - The Financial Times

"[Roberts is] an accomplished sculptor of prose and a cunning satirist, all that SF should be, packed with brilliant ideas and clever examinations of the human condition." - Deathray

"Psychological depth in a picaresque protagonist: most unusual and very welcome...in line with Proustian concerns of memory, Cavala remembers not only himself but much of the central matter of the '50s satirical SF of Sheckley, Bester, Pohl and Kornbluth...very pleasing." - Nick Gevers, Locus

About the Author

ADAM ROBERTS is a writer of sci-fi novels and stories, as well as Professor of Nineteenth-century Literature in English at Royal Holloway, University of London. Salt, Gradisil and Yellow Blue Tibia were nominated for the Arthur C. Clarke Award. By Light Alone has been shortlisted for the 2012 BSFA Award.

MAHENDRA SINGH is a freelance illustrator whose Melville House illustrated edition of The Hunting of the Snark was praised by Library Journal, the New Yorker, Salon.com, and Shelf Awareness.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Mostly brilliant...
By FictionFan
It's June 1958, and French experimental submarine the Plongeur has taken off on her maiden voyage to test her new nuclear engines and her ability to dive to depths never before reached. The small crew is supplemented by the two Indian scientists responsible for the submarine's design, and an observer, M. Lebret, who reports directly to the Minister for National Defence, Charles de Gaulle. It is soon enough after the war for resentments against those who supported the Vichy government still to be fresh, and Lebret was one such, so there are already tensions amongst those aboard. The first trial dive is a success, so the Captain gives the order to go deeper, down to the limits of the submarine's capacity. But as they pass the one thousand five hundred metre mark, disaster strikes! Suddenly the crew lose control of the submarine, and it is locked in descent position. The dive goes on... past the point where the submarine should be crushed by the pressure... and on... and on...

This is a brilliant start to a novel that remains brilliant for about two-thirds of its length and then fades a little towards the end. Undoubtedly the most original sci-fi I've read in a long time, it's a mash-up of references, both explicit and in style, not just to Jules Verne and the Captain Nemo stories, but to lots of early sci-fi, fantasy and horror writers, from Alice in Wonderland to Poe, and even to Dickens. And I'm sure a more knowledgeable sci-fi reader would pick up loads that I missed. Stylistically it reads like a book from the early twentieth century, Wells or Conan Doyle perhaps, but it has a surreal edge and a playfulness with the traditions that keeps the reader aware that it's something more than a pastiche.

And the surreality grows as the adventure progresses and the Plongeur continues its dive to depths that should have taken it through the centre of the earth and out the other side. As it gradually becomes clear to those aboard that the normal rules of physics seem no longer to apply, their reactions range from panic to getting royally drunk to religious mania, while one or two are still willing to speculate that there might be a rational explanation. Arguments begin over what can be happening and what should be done, and the crew are soon at each other's throats. And when it eventually becomes a little clearer where they might have ended up, there's a Lovecraftian feel about the Plongeur's new surroundings and the creatures it encounters there. The book contains 33 illustrations by Mahendra Singh, and even in the Kindle version they work well in adding to the ever-growing atmosphere of horror. There's much science and philosophy in the book, especially around the nature of reality and God, and even a little politics, but this too all feels deliberately off-kilter – not quite in line with the real world and therefore not to be taken too seriously.

I thought I might be hampered by not having read the original Captain Nemo stories, but for the most part I didn't feel I was, though I suspect someone familiar with those would have got more of the references. There was only one point where I felt a little lost (when we were introduced to a character and were clearly supposed to recognise him from elsewhere) and a quick look at Wikipedia's pages on Jules Verne and Captain Nemo was enough to get me back up to speed. The story moves through the Verne originals and on beyond where they finished. But Roberts is playing with Verne's world rather than retelling it, just as he is playing with the real world and science of the '50s too. In the last section he gets a bit overly philosophical and a little too clever, and also takes us into a sequence that drags a little, unlike the rapid pace of the earlier part of the book. But while I felt the ending wasn't as strong as the rest, overall I found this an exciting ride, cleverly executed and full of imagination, and with a great mix of tension, humour and horror. Highly recommended, and I'm looking forward to trying some of Roberts' other books. 4½ stars for me, so rounded up.

NB This book was provided for review by the publisher, St. Martin's Griffin.

1 of 1 people found the following review helpful.
The Deeper You Dive In...
By Alvaro Zinos-Amaro
This review originally appeared in Intergalactic Medicine Show, January 2015:

Over the last fifteen years Adam Roberts has published fifteen science fiction novels, nine parodies, two short story collections, books on various aspects of sf and other scholarly studies. In addition to being extremely well-versed in literature and history he also knows a thing or nine about science. His recent novel Jack Glass (2012) received, among other accolades, the John W. Campbell Memorial Award. If you aren't familiar with Roberts' work, I hope this review will spark your interest.

Twenty Trillion Leagues Under the Sea is obviously inspired by Jules Verne's classic Twenty Thousand Leagues Under the Sea (1870). Roberts' novel begins on the 29th of June, 1958 (Verne's starts on the 20th of July, 1866) in a world not quite our own. The French submarine Plongeour, outfitted with an experimental atomic pile and a skeleton crew, sets out on a series of diving tests. During one of these descents it finds itself sinking uncontrollably. Equipment malfunctions; pressure mounts; everyone expects to die. And yet somehow they don't, but rather continue to plummet to ever more absurd depths -- five thousand meters, ten thousand, fifty thousand, and so on, well beyond where the seabed should have stopped them. Questions abound: Why hasn't the pressure crushed them? Where are they? Will they make it back home alive? And of course we as readers wish to know: Is the novel's title meant literally (if I were in a punning mood I might say "litorally"), or is it hyperbole? All is eventually answered.

During their increasingly bizarre journey the novel's characters entertain plenty of hypotheses. But as the voyage continues, without end in sight, they begin to break down, and Bad Things Happen. Fortunately, absurdist humor tends to leaven the grimness. In one of my favorite exchanges, one character chastises another with the scornful "assuming you are a Christian;" the antagonized character responds, "I'm a dialectical materialist;" to which the first says, "Some kind of Protestant, eh?"

Roberts' handling of tone and language is precise. The earlier chapters are measured and richly descriptive. As events become more violent and behaviors more desperate, the prose adjusts accordingly -- though never quite shedding a deliberate quasi-19th-century novel patina.

The strange environments and unraveling psyches are masterfully depicted, but I have a few quibbles. As befits Roberts' literary model(s), all the characters are male. But since history is different here, couldn't he have included women too? Perhaps a bigger challenge is that the characters are not particularly well individuated, and the most disagreeable ones tend to feature most heavily. As a result, even though the novel's central mystery, along with smaller conundrums that accrue, coral-like, chapter by chapter, are more than enough to propel us forward, it's hard to care much about the characters as individuals.

Still, these faults are rendered pint-sized by the novel's oceanic excellences. Without giving away specifics, I'll say that its resolution entails fascinating cosmological world-building. In fact, I think the novel's lineage antedates Verne: the story's ingenious literalization of metaphysical ideas evokes Voltaire's "contes philosophiques."

So, then, how exactly does Roberts' novel relate to Verne's -- sequel? Meta-textual commentary? Post-modern critique? Alternate history interquel? I'd say all of the above. The deeper you dive in, the richer the kinship becomes.

1 of 1 people found the following review helpful.
Odd and enjoyable
By Daniel Gonçalves
Simple and straightforward yet an interesting read. Overall somewhat predictable but at times thought-provoking, it was, overall, an enjoyable book.

Unlike other reviewers, I did not find it either long nor strange (stranger than Adam Roberts' other books, at any rate). The intractions among characters in the Plongeur are what one would expect in this kind of "close-environment stressful situation" type story, but the things happening outside the submarine were enough to keep me interested. Granted, this kind of appeal wouldn't have sufficed to keep me interested if the novel had twice the length, but for its size it worked ok.

The ending is stranger, but the solipsistic nature of it all was foreshadowed throughout the book so it was by no means a jarring end.

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Sabtu, 10 Januari 2015

>> Ebook Download Nagasaki, by Eric Faye

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Nagasaki, by Eric Faye

Winner of the Académie française Grand Prix Award.

"One of those brief and understated novels that stay with the reader for a very long time."—L'Express

"Speaks directly to the heart."—Le Monde

"Eric Faye is a rare talent."—Le Figaro

There were just eight centimeters of juice now, though I'd measured fifteen before leaving the house . . . Someone had been helping themselves. And I live alone.

In a house on a suburban street in Nagasaki, meteorologist Shimura Kobo lives quietly on his own. Or so he believes. Food begins to go missing. Perturbed by this threat to his orderly life, Shimura sets up a webcam to monitor his home.

But though eager to identify his intruder, is Shimura really prepared for what the camera will reveal?

Nagasaki is based on a real news story. In 2008, a Japanese woman was found to have been secretly living in a man's house for over a year, by hiding and sleeping in a wardrobe. Éric Faye has taken this news item and transformed it into a heart-rending story about the alienation of modern life.

Born in Limoges, Éric Faye is a journalist and the prize-winning author of over twenty books.


  • Sales Rank: #1267793 in Books
  • Published on: 2015-01-20
  • Original language: French
  • Number of items: 1
  • Dimensions: 8.25" h x 5.25" w x .50" l, .84 pounds
  • Binding: Paperback
  • 112 pages

Review
'Elegantly, without ever raising his voice, Eric Faye considers guilt, memory, our fragile sense of how to behave, and the selfishness of societies.' L'Express 'Speaks directly to the heart' Le Monde 'Eric Faye is a rare talent' Le Figaro

About the Author
Éric Faye is the author of many novels and travel memoirs published by Stock, including Mes trains de nuit (2005), L’homme sans empreintes (2008), Nous aurons toujours Paris (2009), Nagasaki (2010, winner of the Grand Prix for a novel from the Académie française, to be published by Gallic Books in April 2014) and Somnambule dans Istanbul (2013). In 2011 he and Christian Garcin co-wrote En descendant les fleuves, an account of their travels across eastern Russia.

Emily Boyce: Emily Boyce is in-house translator for Gallic Books. She lives in London

Most helpful customer reviews

5 of 5 people found the following review helpful.
Beautiful literary novella based on true story!
By wordsandpeace
VERDICT: With a thriller like final twist, this French literary novella, based on a true story reported in Fukuoka, speaks about sense of identity and place, or lack of it, in our modern society in crisis. Nagasaki is brilliant in ambiance and writing style.

This new book received from Gallic Books is set in Japan, but it has been written originally in French by a French author. Nagasaki is a literary novella based on a true story, reported in Japanese newspapers in 2008. But the author adds to it a very interesting twist.

Shimura, 56, is “disappointed to have reached middle age so quickly.” He is stuck in his habits and rigid routine.
One day though, he comes back home earlier than usual, and seems to notice strange things happening in his house. Food and drink seem to be disappearing, even though all the doors are locked. To be sure he is not dreaming the whole thing, he methodically installs a webcam in his kitchen, keeps an eye on it from his office, and one day does indeed find something is going on. What will he do with this information? I will let you discover by yourself, but know that from then on, his life will be changed forever.

I really liked the literary style. It actually did feel quite Japanese in tone, with the description of places and people, even though it was written by a French author. There are interesting references to Japan’s history, with parallels between Shimura’s adventure and the story of Nagasaki with Europe as its intruder.
There’s also constant mention of the perpetual annoying background sound of cicadas. I ignored there were cicadas in Japan, but living near Chicago, I know what he means!

I enjoyed the change of narrator, at a key point in the story. This short piece is about identity and sense of place in our modern society, in the context of economic crisis.
The ending remains open, and it it is rather sad, which is not unusual for a French author, as you would know by now if you read my reviews.

5 of 5 people found the following review helpful.
Intriguing Short Read
By Debbie Wilson
I really enjoyed this book about a man who discovers a woman has been secretly living in his home. It focuses more on the the inner feelings and motivations of these two in the aftermath of such a discovery. Sometimes less is more in this short book, leaving me to ponder deeper questions. Beautifully crafted and written, it is one I will not soon forget.

0 of 0 people found the following review helpful.
Moving and Thoughtful Novel
By Chris McCaffrey
I received an ARC copy of the e-book version of this novel from the publisher through NetGalley in exchange for an honest review.

A very interesting story set in, as you can guess, Nagasaki. Our protagonist lives alone, by design rather than necessity. Alone, a cog in a much larger machine, a low level and low pay grade meteorologist who creates comfort, without any attempt at meaning or fulfillment in his life, by the strict adherence to routine. He avoids the company of workmates because that would disrupt his daily structure. He doesn’t trust anything or anyone outside himself anyway and minimizes all contact with people in the workplace or outside. It has been over a year since he has seen a member of his own family. At work he immerses himself in weather patterns; at home his nightly rituals.

He is an island.

Until he realizes that he isn’t alone. Someone is in his home. Eating his food. Walking his house. Invading his world. He is no longer alone. He has been violated.

If this story were written by an American author the story would have gone one way. Probably the confrontation of the individualist (we all think of ourselves that way, right? even though it is the punchline from a joke—sure, you are unique, just like everybody else) with the intruder. Gogol or Kafka would have gone another way—the inevitable violation of the individual by a stronger force. But this story is set in Japan and it is very different in ways that I did not expect. Much more personal. Much more moving. With a perspective shift (which often don’t work but this time does very well) near the end that makes us re-evaluate our feelings toward the entire story.

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Jumat, 26 Desember 2014

* Ebook Free Birth of Our Power (Spectre), by Victor Serge

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Birth of Our Power (Spectre), by Victor Serge

Birth of Our Power is an epic novel set in Spain, France, and Russia during the heady revolutionary years 1917–1919. Serge’s tale begins in the spring of 1917, the third year of mass slaughter in the blood-and-rain-soaked trenches of World War I, when the flames of revolution suddenly erupt in Russia and Spain. Although the Spanish uprising eventually fizzles, in Russia the workers, peasants, and common soldiers are able to take power and hold it. Serge’s “tale of two cities” is constructed from the opposition between Barcelona, the city “we” could not take, and Petrograd, the starving, beleaguered capital of the Russian Revolution besieged by counter-revolutionary Whites. Between the romanticism of radicalized workers awakening to their own power in a sun-drenched Spanish metropolis to the grim reality of workers clinging to power in Russia’s dark, frozen revolutionary outpost. The novel was composed a decade after the revolution in Leningrad, where Serge was living in semicaptivity because of his declared opposition to Stalin’s dictatorship over the revolution.

  • Sales Rank: #2119440 in Books
  • Published on: 2015-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.75" h x 5.75" w x 1.00" l, .0 pounds
  • Binding: Paperback
  • 256 pages

Review

“Nothing in it has dated . . . It is less an autobiography than a sustained, incandescent lyric (half-pantheist, half-surrealist) of rebellion and battle.”  —Times Literary Supplement

“Surely one of the most moving accounts of revolutionary experience ever written.”  —Neal Ascherson, New York Review of Books

“Probably the most remarkable of his novels . . . Of all the European writers who have taken revolution as their theme, Serge is second only to Conrad . . . Here is a writer with a magnificent eye for the panoramic sweep of historical events and an unsparingly precise moral insight.”  —Francis King, Sunday Telegraph

“Intense, vivid, glowing with energy and power . . . A wonderful picture of revolution and revolutionaries . . . The power of the novel is in its portrayal of the men who are involved.”  —Manchester Evening News

“Birth of Our Power is one of the finest romances of revolution ever written, and confirms Serge as an outstanding chronicler of his turbulent era . . . As an epic, Birth of Our Power has lost none of its strength.”  —Lawrence M. Bensky, New York Times

Language Notes
Text: English, French (translation)

About the Author
Victor Serge was a Russian revolutionary and writer. Originally an anarchist, he joined the Bolsheviks five months after arriving in Petrograd in January 1919 and later worked for the Comintern as a journalist, editor, and translator. He is the author of seven novels, including Birth of Our Power, Conquered City, and Men in Prison, and the history, Year One of the Russian Revolution. He was critical of the Stalinist regime and remained a revolutionary Marxist until his death. Richard Greeman is the translator and prefacer of five of Victor Serge’s seven novels, most recently Men in Prison. He is a founding member of the libertarian socialist Praxis Center in Moscow and secretary of the Victor Serge Foundation, which supports the Victor Serge Libraries in Moscow and Kiev and underwrites translations and publication of Serge’s books in Russian and Arabic. He has published literary, political, and biographical studies of Serge in English, French, Russian, and Spanish as well as prefaces to French editions of Serge’s books. He lives in New York City.

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2 of 2 people found the following review helpful.
Many have given accounts of the horrors of this war-- particularly the British poets like Siegfried Sassoon and Wilfred Owen
By C. robe
Victor Serge's life weaved throughout many elements of the radical Left during the early twentieth-century. He fled from Belgium at age 15 to initially enter anarchist politics and edit the paper L'Anarchie from Paris until he was imprisoned for five years for being associated with a local terrorist gang in 1912. By 1923, he reinvented himself as a part of the Trotskyist Left. In 1927 he was expelled from the party and imprisoned for another series of years. He wrote *Birth of Our Power* during his most recent release in 1931. As John Berger notes, "Writing, as a distinct form of agitational journalism, was for Serge a secondary activity, only resorted to when more direct action was impossible." Serge's writing, as a result, has an immediacy to it that often lacks in most other political accounts. Although a piece of fiction, *Birth of Our Power* has a distinctly non-fictional presence in its account of the failed revolution in Spain in 1917 as the Soviet Union began to topple out of Russia.

The book captures a utopian sense of hope that the Russian revolution represented to radicals world wide. One character describes the sense of revolutionary fervor as "Europe burning at both ends." The fact that Serge can capture such an optimistic outlook in spite of his imprisonment by the very regime he initially supported reveals an uncanny ability to analyze the youthful enthusiasm, idealism, and ceaseless action that defined much of the global revolution at the time from the dictatorial bureaucracy that began to eclipse it as dreams began to crash into pragmatic realities.

The book, however, doesn't over-idealize this moment either. It voices many of the doubts that would eventually define Stalin's reign. Near its end, as the group of revolutionaries travel from Spain to France to Russia, they confront the on-the-ground realities against their more euphoric fantasies of revolution: "We found not the passionate mobs going forward under new flags of struggles begun anew each day in tragic and fruitful confusions, but a sort of vast administration,an army, a machine in which the burning energies and the clearest intelligences were integrated and which performed its task inexorably." It interesting that this line doesn't completely condemn such administration, but acknowledges both its necessity and wavering from the ideal. This dialectic tension between lived reality and Platonic goals constantly vibrates throughout the novel.

Also notable, and mentioned by many critics, is Serge's uncanny ability to relate a collective experience throughout the novel. The narrator remains unnamed, submerging his personality to his observations of a wide group of actors who cover the spectrum from diehard revolutionaries of various anarchist, socialist, and communist varieties to complete hedonists profiteering from revolutionary naivete and the horrors and deprivation of World War One. Many have given accounts of the horrors of this war-- particularly the British poets like Siegfried Sassoon and Wilfred Owen. But Serge exposes a unique view of the opposition outside of the war, the deserters and anti-imperialists and others who refused to die in the trenches and suffocate on mustard gas.

Not only is *Birth of Our Power* one of the most fascinating novels about this revolutionary moment, but it also reveals how within the most direst of circumstances, during an imperialist and pointless war, utopian dreams could not only emerge but begin incubating themselves in daily actions as in Spain and Germany and start to actually topple the very State as the shuddering moments of the birth pangs of the Soviet Union reveal. Furthermore, it reminds one of the immense hope that the ideals of the Soviet Union struck in radicals worldwide even though the actually reality might have been much more lackluster than initially anticipated.

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Munich Airport: A Novel, by Greg Baxter

Munich Airport: A Novel, by Greg Baxter



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Munich Airport: A Novel, by Greg Baxter

From the critically acclaimed author of The Apartment comes a powerful, poetic, and haunting exploration of loss, love, and isolation.

An American living in London receives a phone call from a German policewoman telling him the nearly inconceivable news that his sister, Miriam, has been found dead in her Berlin apartment-from starvation. Three weeks later the man, his father, and an American consular official named Trish find themselves in the bizarre surroundings of a fogbound Munich Airport, where Miriam's coffin is set to be loaded onto a commercial jet and returned to America.

Greg Baxter's bold, mesmeric novel tells the story of these three people over the course of three weeks, as they wait for Miriam's body to be released, grieve over her incomprehensible death, and try to possess a share of her suffering--and her yearning and grace.

With prose that is tense, precise, and at times highly lyrical, MUNICH AIRPORT is a novel for our time, a work of richness, gravity, and even dark humor. Following his acclaimed American debut, MUNICH AIRPORT marks the establishment of Greg Baxter as an important new voice in literature, one who has already drawn comparisons to masters such as Kafka, Camus, and Murakami.

  • Sales Rank: #1401140 in Books
  • Published on: 2015-01-27
  • Released on: 2015-01-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.38" h x 1.00" w x 6.25" l, .0 pounds
  • Binding: Hardcover
  • 272 pages

Review
ACCLAIM FOR MUNICH AIRPORT"MUNICH AIRPORT confirms [Baxter] as a writer of courage and lucidity. His fluent and assured prose owes some debt to the Austro-Hungarian Franz Kafka and the Austrian Thomas Bernhard... Baxter is high literature."―New York Times Book Review, Editors' Choice

"A masterwork of minimalism."―Entertainment Weekly

"With expert undercurrents and subtext, Baxter can fill quiet scenes with the weight of a funeral...Baxter's realizations are artful, and give poignant images to a man's struggle for identity."―Austin American-Statesman

"MUNICH AIRPORT is a brilliant achievement."―Sam Sacks, The Wall Street Journal

"Greg Baxter is a writer of style...His proven brand of philosophical literature bypasses current fiction's fad for recklessly baroque construction and aims straight for the higher shelves of the Western canon."―Barnes & Noble Review

"[A] haunting and memorable work."―Hudson Valley News

"Powerful and poignant...The novel's tone, together with Baxter's limpid prose and his narrator's clear-eyed confessions, keep us riveted until the bittersweet climax, when the fog finally lifts and each broken character can take to the sky."―Minneapolis Star Tribune

"Fascinating and sad, unfolding...profound philosophical and psychological insight...The developing themes range from family and life's meanings to the role of memory and the passage of time, all illuminated by some of the best writing appearing in fiction today."―San Antonio Express-News

"Stunning... Few novels so urgently and demandingly make themselves feel as necessary as MUNICH AIRPORT."―Tweed's

ACCLAIM FOR THE APARTMENT BY GREG BAXTER"Baxter has written a novel of subtle beauty and quiet grace; I found myself hanging on every simple word, as tense about the consequences of a man finding an apartment as if I were reading about a man defusing a bomb... It is one of the best novels I have read in a long time."―Stacey D'Erasmo, New York Times Sunday Book Review

"Absorbing, atmospheric and enigmatic... With its disorienting juxtaposition of the absolutely ordinary and the strange and vaguely threatening, the novel evokes the work of Franz Kafka and Haruki Murakami, while its oblique explorations of memory suggest a debt to W.G. Sebald... Baxter's provocative, unsettling novel is, among other things, about the inexorability of identity and 'the immortality of violence.'"―Los Angeles Times

"It is precisely this sort of subversion, along with the author's shimmering prose, that makes THE APARTMENT such a surprisingly compelling read and so apropos; it captures the mood of the current moment and what seems to be a new "lost generation," one formed not so much by exposure to violence, as immunity to and alienation from it. Once upon a time, there was no place like home; in Mr. Baxter's world, home, it seems, is no place."―Adam Langer, The New York Times

"In this bleak but affecting novel, an unnamed American expat spends a day walking through a frigid, unidentified European city in search of an apartment...The details of his day are rendered with anaesthetized precision and achieve a cumulative force of grief, equanimity, and resolve."―The New Yorker

"A true gem... Lucid, often hypnotic and, at times, even transporting. [Baxter] keeps his sentences short, his adjectives limited, his pacing leisurely. The paragraphs are long and there are no chapter breaks, yet his acute observation means this is no mere minimalist undertaking... The Iraq sections are astonishingly well done, and the man's history as a Naval officer feels almost exactly right to the former Naval officer who happens to be writing this review."―Los Angeles Review of Books

"In a year marked by epics, it's a relief to delve into this quiet, surprisingly tense debut novel - small enough to fit into a stocking but packing a huge emotional punch."―Entertainment Weekly

"In just over 200 pages, The Apartment impressively and tactfully covers everything from the effects of American interventionism on its relationship with Europe to questions of personal identity."―Esquire

"'I was born to hate the place I came from.' Greg Baxter's first novel THE APARTMENT is a short but powerful exploration of that sentiment, uttered halfway through the novel by its narrator, a 41-year-old American ex-Navy officer and Iraq War veteran."―Chicago Tribune

"A beautiful meditation on brutality and culture, which are sometimes one and the same."―Minneapolis Star Tribune

"An elegant portrait of a man half-fractured, half-intact-a post-war somebody caught between repair and capitulation, controlling his own fate and imprisoned by regret."―The Texas Observer

"In the layered narratives of Baxter's piercing first novel, a young American returned from Iraq struggles to find a new life in Europe."―New York Times, Sunday Book Review, Editor's Choice

"Greg Baxter deserves to be included with Karl Ove Knausgaard, Elena Ferrante, Ben Lerner and Rachel Cusk in the current conversation about what fiction can do and where it is going."―Brooklyn Magazine

"Baxter has written another profound yet immensely relatable book."―The Acadiana Advocate

About the Author
Greg Baxter is the author of two highly acclaimed books, The Apartment and A Preparation for Death. Originally from Texas, he has lived in Europe for almost two decades. He currently lives in Berlin with his wife and two children.

Most helpful customer reviews

13 of 14 people found the following review helpful.
Munich Airport
By S Riaz
In this poignant novel, a father and son are at Munich Airport. They are planning to return to the States, where the father lives, with the body of Miriam. Miriam – a daughter, a sister - had left America years ago and was living in Germany; while her brother has made a home, of sorts, in London. They are a family split by time and distance and have had infrequent contact with each other since the mother of the children died. Now Miriam has also died and, shockingly, she was found in her apartment, having starved to death.

Our narrator is the brother of Miriam and this book takes us through the call, just before an important meeting, to tell him that his sister was dead; back through flashbacks of his life and his visit to Germany with his father . Although this sounds dreadfully serious – and, in parts, it does deal with very important issues such as what makes a family, how you react to life’s challenges and modern life – it is also very full of dark humour and emotion.

Much of the novel takes place inside a fog bound Munich Airport; where flights are delayed and people mill around waiting endlessly. Father and son are accompanied by Trish, a caring and sensitive woman who works at the American Embassy. She has her own problems, but her natural empathy means that Miriam’s father, a former historian, turns to her for understanding. Our narrator himself struggles with what happened to his sister and wonders why he did not do more to make sure she was fine; why he did not suspect something so terrible could happen? We follow father and son over their trip to Germany, the weeks of waiting, visiting Miriam’s apartment and of the sadness and horror both men feel over her death.

This is really a very imaginative and moving read. It will challenge you and make you question modern families, where expat life means that families are in danger of losing contact, that support networks may be lost and that elderly parents are left behind. Ideal for reading groups and a personal read you will find hard to put down.

Lastly, I received a copy of this book from the publishers, via NetGalley, for review.

4 of 4 people found the following review helpful.
Examination
By Stephen T. Hopkins
The first person narrator of Greg Baxter’s finely written novel titled, Munich Airport, grieves the death of his sister, laments the decline of his elderly father and ruminates about his own life. The psychological problems among the characters in this novel are more than enough for any family. What redeems the gloomy subject is Baxter’s fine writing, and the ways in which he captures the process of introspection and self-examination. Fans of literary fiction will enjoy this prose, and those readers who like psychological fiction will spend much time reflecting about the lives of these characters. By setting the action in an airport, Baxter highlights the existential loneliness that can be felt while physically present with many other people.

Rating: Four-star (I like it)

2 of 2 people found the following review helpful.
Anorexia and Other Disorders
By Roger Brunyate
Munich Airport, crowded and fogbound. An American marketing consultant sits with his father and a US consular official waiting for a flight to Atanta. Three weeks before, the narrator, who lives in London, received a call from the Berlin police to say that his sister Miriam had been found dead in her apartment. He goes to Berlin to identify the body, then, joined by his father, attends to his sister's meager possessions while both wait for the authorities to release the corpse. I found it hard to believe that they would move the coffin all the way to Munich because the father wanted her to fly out of a classier airport, or that a busy consular official would detach herself for two whole days merely to hold their hands. But these were not the only strange things in this increasingly strange book.

The 250-page novel is unbroken by chapters or subsections. The scene at the airport is gradually intercut with flashbacks of the past three weeks, and of a trip they took together into the Rhineland and Ardennes. And longer memories too, of the narrator's professional and romantic life in London, of the few times he had met up with his sister, and of their shared childhood; there are even reflections on the Battle of the Bulge, in which his grandfather had been killed on the German side. None of this is chronological; one moment we are in the airport, then somewhere else, dotting back and forth almost at random, revisiting previous episodes to add more detail.

And what does this detail reveal? At first, a pair of rather cold individuals, both with difficulties in communicating and sustaining relationships, not to mention the reclusive self-destructive Miriam. She, it appears, starved herself to death, and the inability or unwillingness to eat seems to affect her brother and father too. Indeed, neither of them is well, and an inordinate amount of the novel is spent on one or other of them drinking, throwing up, or indulging in increasingly bizarre behavior. Greg Baxter is an American author, but he has lived in Germany for twenty years, and clearly absorbed some European influences. At first, I thought this novel was a homage to the clinical objectivity of Peter Stamm, but as it went on it turned into something more rebarbative, in the manner of Herman Koch. While the fog in Munich eventually clears, there was no such easy release from this narrative, and I was glad when it eventually reached its inconclusive end.

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