Jumat, 26 Desember 2014

* Ebook Free Birth of Our Power (Spectre), by Victor Serge

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Birth of Our Power (Spectre), by Victor Serge

Birth of Our Power is an epic novel set in Spain, France, and Russia during the heady revolutionary years 1917–1919. Serge’s tale begins in the spring of 1917, the third year of mass slaughter in the blood-and-rain-soaked trenches of World War I, when the flames of revolution suddenly erupt in Russia and Spain. Although the Spanish uprising eventually fizzles, in Russia the workers, peasants, and common soldiers are able to take power and hold it. Serge’s “tale of two cities” is constructed from the opposition between Barcelona, the city “we” could not take, and Petrograd, the starving, beleaguered capital of the Russian Revolution besieged by counter-revolutionary Whites. Between the romanticism of radicalized workers awakening to their own power in a sun-drenched Spanish metropolis to the grim reality of workers clinging to power in Russia’s dark, frozen revolutionary outpost. The novel was composed a decade after the revolution in Leningrad, where Serge was living in semicaptivity because of his declared opposition to Stalin’s dictatorship over the revolution.

  • Sales Rank: #2119440 in Books
  • Published on: 2015-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.75" h x 5.75" w x 1.00" l, .0 pounds
  • Binding: Paperback
  • 256 pages

Review

“Nothing in it has dated . . . It is less an autobiography than a sustained, incandescent lyric (half-pantheist, half-surrealist) of rebellion and battle.”  —Times Literary Supplement

“Surely one of the most moving accounts of revolutionary experience ever written.”  —Neal Ascherson, New York Review of Books

“Probably the most remarkable of his novels . . . Of all the European writers who have taken revolution as their theme, Serge is second only to Conrad . . . Here is a writer with a magnificent eye for the panoramic sweep of historical events and an unsparingly precise moral insight.”  —Francis King, Sunday Telegraph

“Intense, vivid, glowing with energy and power . . . A wonderful picture of revolution and revolutionaries . . . The power of the novel is in its portrayal of the men who are involved.”  —Manchester Evening News

“Birth of Our Power is one of the finest romances of revolution ever written, and confirms Serge as an outstanding chronicler of his turbulent era . . . As an epic, Birth of Our Power has lost none of its strength.”  —Lawrence M. Bensky, New York Times

Language Notes
Text: English, French (translation)

About the Author
Victor Serge was a Russian revolutionary and writer. Originally an anarchist, he joined the Bolsheviks five months after arriving in Petrograd in January 1919 and later worked for the Comintern as a journalist, editor, and translator. He is the author of seven novels, including Birth of Our Power, Conquered City, and Men in Prison, and the history, Year One of the Russian Revolution. He was critical of the Stalinist regime and remained a revolutionary Marxist until his death. Richard Greeman is the translator and prefacer of five of Victor Serge’s seven novels, most recently Men in Prison. He is a founding member of the libertarian socialist Praxis Center in Moscow and secretary of the Victor Serge Foundation, which supports the Victor Serge Libraries in Moscow and Kiev and underwrites translations and publication of Serge’s books in Russian and Arabic. He has published literary, political, and biographical studies of Serge in English, French, Russian, and Spanish as well as prefaces to French editions of Serge’s books. He lives in New York City.

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2 of 2 people found the following review helpful.
Many have given accounts of the horrors of this war-- particularly the British poets like Siegfried Sassoon and Wilfred Owen
By C. robe
Victor Serge's life weaved throughout many elements of the radical Left during the early twentieth-century. He fled from Belgium at age 15 to initially enter anarchist politics and edit the paper L'Anarchie from Paris until he was imprisoned for five years for being associated with a local terrorist gang in 1912. By 1923, he reinvented himself as a part of the Trotskyist Left. In 1927 he was expelled from the party and imprisoned for another series of years. He wrote *Birth of Our Power* during his most recent release in 1931. As John Berger notes, "Writing, as a distinct form of agitational journalism, was for Serge a secondary activity, only resorted to when more direct action was impossible." Serge's writing, as a result, has an immediacy to it that often lacks in most other political accounts. Although a piece of fiction, *Birth of Our Power* has a distinctly non-fictional presence in its account of the failed revolution in Spain in 1917 as the Soviet Union began to topple out of Russia.

The book captures a utopian sense of hope that the Russian revolution represented to radicals world wide. One character describes the sense of revolutionary fervor as "Europe burning at both ends." The fact that Serge can capture such an optimistic outlook in spite of his imprisonment by the very regime he initially supported reveals an uncanny ability to analyze the youthful enthusiasm, idealism, and ceaseless action that defined much of the global revolution at the time from the dictatorial bureaucracy that began to eclipse it as dreams began to crash into pragmatic realities.

The book, however, doesn't over-idealize this moment either. It voices many of the doubts that would eventually define Stalin's reign. Near its end, as the group of revolutionaries travel from Spain to France to Russia, they confront the on-the-ground realities against their more euphoric fantasies of revolution: "We found not the passionate mobs going forward under new flags of struggles begun anew each day in tragic and fruitful confusions, but a sort of vast administration,an army, a machine in which the burning energies and the clearest intelligences were integrated and which performed its task inexorably." It interesting that this line doesn't completely condemn such administration, but acknowledges both its necessity and wavering from the ideal. This dialectic tension between lived reality and Platonic goals constantly vibrates throughout the novel.

Also notable, and mentioned by many critics, is Serge's uncanny ability to relate a collective experience throughout the novel. The narrator remains unnamed, submerging his personality to his observations of a wide group of actors who cover the spectrum from diehard revolutionaries of various anarchist, socialist, and communist varieties to complete hedonists profiteering from revolutionary naivete and the horrors and deprivation of World War One. Many have given accounts of the horrors of this war-- particularly the British poets like Siegfried Sassoon and Wilfred Owen. But Serge exposes a unique view of the opposition outside of the war, the deserters and anti-imperialists and others who refused to die in the trenches and suffocate on mustard gas.

Not only is *Birth of Our Power* one of the most fascinating novels about this revolutionary moment, but it also reveals how within the most direst of circumstances, during an imperialist and pointless war, utopian dreams could not only emerge but begin incubating themselves in daily actions as in Spain and Germany and start to actually topple the very State as the shuddering moments of the birth pangs of the Soviet Union reveal. Furthermore, it reminds one of the immense hope that the ideals of the Soviet Union struck in radicals worldwide even though the actually reality might have been much more lackluster than initially anticipated.

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Senin, 10 November 2014

!! Free PDF Munich Airport: A Novel, by Greg Baxter

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Munich Airport: A Novel, by Greg Baxter

From the critically acclaimed author of The Apartment comes a powerful, poetic, and haunting exploration of loss, love, and isolation.

An American living in London receives a phone call from a German policewoman telling him the nearly inconceivable news that his sister, Miriam, has been found dead in her Berlin apartment-from starvation. Three weeks later the man, his father, and an American consular official named Trish find themselves in the bizarre surroundings of a fogbound Munich Airport, where Miriam's coffin is set to be loaded onto a commercial jet and returned to America.

Greg Baxter's bold, mesmeric novel tells the story of these three people over the course of three weeks, as they wait for Miriam's body to be released, grieve over her incomprehensible death, and try to possess a share of her suffering--and her yearning and grace.

With prose that is tense, precise, and at times highly lyrical, MUNICH AIRPORT is a novel for our time, a work of richness, gravity, and even dark humor. Following his acclaimed American debut, MUNICH AIRPORT marks the establishment of Greg Baxter as an important new voice in literature, one who has already drawn comparisons to masters such as Kafka, Camus, and Murakami.

  • Sales Rank: #1401140 in Books
  • Published on: 2015-01-27
  • Released on: 2015-01-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.38" h x 1.00" w x 6.25" l, .0 pounds
  • Binding: Hardcover
  • 272 pages

Review
ACCLAIM FOR MUNICH AIRPORT"MUNICH AIRPORT confirms [Baxter] as a writer of courage and lucidity. His fluent and assured prose owes some debt to the Austro-Hungarian Franz Kafka and the Austrian Thomas Bernhard... Baxter is high literature."―New York Times Book Review, Editors' Choice

"A masterwork of minimalism."―Entertainment Weekly

"With expert undercurrents and subtext, Baxter can fill quiet scenes with the weight of a funeral...Baxter's realizations are artful, and give poignant images to a man's struggle for identity."―Austin American-Statesman

"MUNICH AIRPORT is a brilliant achievement."―Sam Sacks, The Wall Street Journal

"Greg Baxter is a writer of style...His proven brand of philosophical literature bypasses current fiction's fad for recklessly baroque construction and aims straight for the higher shelves of the Western canon."―Barnes & Noble Review

"[A] haunting and memorable work."―Hudson Valley News

"Powerful and poignant...The novel's tone, together with Baxter's limpid prose and his narrator's clear-eyed confessions, keep us riveted until the bittersweet climax, when the fog finally lifts and each broken character can take to the sky."―Minneapolis Star Tribune

"Fascinating and sad, unfolding...profound philosophical and psychological insight...The developing themes range from family and life's meanings to the role of memory and the passage of time, all illuminated by some of the best writing appearing in fiction today."―San Antonio Express-News

"Stunning... Few novels so urgently and demandingly make themselves feel as necessary as MUNICH AIRPORT."―Tweed's

ACCLAIM FOR THE APARTMENT BY GREG BAXTER"Baxter has written a novel of subtle beauty and quiet grace; I found myself hanging on every simple word, as tense about the consequences of a man finding an apartment as if I were reading about a man defusing a bomb... It is one of the best novels I have read in a long time."―Stacey D'Erasmo, New York Times Sunday Book Review

"Absorbing, atmospheric and enigmatic... With its disorienting juxtaposition of the absolutely ordinary and the strange and vaguely threatening, the novel evokes the work of Franz Kafka and Haruki Murakami, while its oblique explorations of memory suggest a debt to W.G. Sebald... Baxter's provocative, unsettling novel is, among other things, about the inexorability of identity and 'the immortality of violence.'"―Los Angeles Times

"It is precisely this sort of subversion, along with the author's shimmering prose, that makes THE APARTMENT such a surprisingly compelling read and so apropos; it captures the mood of the current moment and what seems to be a new "lost generation," one formed not so much by exposure to violence, as immunity to and alienation from it. Once upon a time, there was no place like home; in Mr. Baxter's world, home, it seems, is no place."―Adam Langer, The New York Times

"In this bleak but affecting novel, an unnamed American expat spends a day walking through a frigid, unidentified European city in search of an apartment...The details of his day are rendered with anaesthetized precision and achieve a cumulative force of grief, equanimity, and resolve."―The New Yorker

"A true gem... Lucid, often hypnotic and, at times, even transporting. [Baxter] keeps his sentences short, his adjectives limited, his pacing leisurely. The paragraphs are long and there are no chapter breaks, yet his acute observation means this is no mere minimalist undertaking... The Iraq sections are astonishingly well done, and the man's history as a Naval officer feels almost exactly right to the former Naval officer who happens to be writing this review."―Los Angeles Review of Books

"In a year marked by epics, it's a relief to delve into this quiet, surprisingly tense debut novel - small enough to fit into a stocking but packing a huge emotional punch."―Entertainment Weekly

"In just over 200 pages, The Apartment impressively and tactfully covers everything from the effects of American interventionism on its relationship with Europe to questions of personal identity."―Esquire

"'I was born to hate the place I came from.' Greg Baxter's first novel THE APARTMENT is a short but powerful exploration of that sentiment, uttered halfway through the novel by its narrator, a 41-year-old American ex-Navy officer and Iraq War veteran."―Chicago Tribune

"A beautiful meditation on brutality and culture, which are sometimes one and the same."―Minneapolis Star Tribune

"An elegant portrait of a man half-fractured, half-intact-a post-war somebody caught between repair and capitulation, controlling his own fate and imprisoned by regret."―The Texas Observer

"In the layered narratives of Baxter's piercing first novel, a young American returned from Iraq struggles to find a new life in Europe."―New York Times, Sunday Book Review, Editor's Choice

"Greg Baxter deserves to be included with Karl Ove Knausgaard, Elena Ferrante, Ben Lerner and Rachel Cusk in the current conversation about what fiction can do and where it is going."―Brooklyn Magazine

"Baxter has written another profound yet immensely relatable book."―The Acadiana Advocate

About the Author
Greg Baxter is the author of two highly acclaimed books, The Apartment and A Preparation for Death. Originally from Texas, he has lived in Europe for almost two decades. He currently lives in Berlin with his wife and two children.

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13 of 14 people found the following review helpful.
Munich Airport
By S Riaz
In this poignant novel, a father and son are at Munich Airport. They are planning to return to the States, where the father lives, with the body of Miriam. Miriam – a daughter, a sister - had left America years ago and was living in Germany; while her brother has made a home, of sorts, in London. They are a family split by time and distance and have had infrequent contact with each other since the mother of the children died. Now Miriam has also died and, shockingly, she was found in her apartment, having starved to death.

Our narrator is the brother of Miriam and this book takes us through the call, just before an important meeting, to tell him that his sister was dead; back through flashbacks of his life and his visit to Germany with his father . Although this sounds dreadfully serious – and, in parts, it does deal with very important issues such as what makes a family, how you react to life’s challenges and modern life – it is also very full of dark humour and emotion.

Much of the novel takes place inside a fog bound Munich Airport; where flights are delayed and people mill around waiting endlessly. Father and son are accompanied by Trish, a caring and sensitive woman who works at the American Embassy. She has her own problems, but her natural empathy means that Miriam’s father, a former historian, turns to her for understanding. Our narrator himself struggles with what happened to his sister and wonders why he did not do more to make sure she was fine; why he did not suspect something so terrible could happen? We follow father and son over their trip to Germany, the weeks of waiting, visiting Miriam’s apartment and of the sadness and horror both men feel over her death.

This is really a very imaginative and moving read. It will challenge you and make you question modern families, where expat life means that families are in danger of losing contact, that support networks may be lost and that elderly parents are left behind. Ideal for reading groups and a personal read you will find hard to put down.

Lastly, I received a copy of this book from the publishers, via NetGalley, for review.

4 of 4 people found the following review helpful.
Examination
By Stephen T. Hopkins
The first person narrator of Greg Baxter’s finely written novel titled, Munich Airport, grieves the death of his sister, laments the decline of his elderly father and ruminates about his own life. The psychological problems among the characters in this novel are more than enough for any family. What redeems the gloomy subject is Baxter’s fine writing, and the ways in which he captures the process of introspection and self-examination. Fans of literary fiction will enjoy this prose, and those readers who like psychological fiction will spend much time reflecting about the lives of these characters. By setting the action in an airport, Baxter highlights the existential loneliness that can be felt while physically present with many other people.

Rating: Four-star (I like it)

2 of 2 people found the following review helpful.
Anorexia and Other Disorders
By Roger Brunyate
Munich Airport, crowded and fogbound. An American marketing consultant sits with his father and a US consular official waiting for a flight to Atanta. Three weeks before, the narrator, who lives in London, received a call from the Berlin police to say that his sister Miriam had been found dead in her apartment. He goes to Berlin to identify the body, then, joined by his father, attends to his sister's meager possessions while both wait for the authorities to release the corpse. I found it hard to believe that they would move the coffin all the way to Munich because the father wanted her to fly out of a classier airport, or that a busy consular official would detach herself for two whole days merely to hold their hands. But these were not the only strange things in this increasingly strange book.

The 250-page novel is unbroken by chapters or subsections. The scene at the airport is gradually intercut with flashbacks of the past three weeks, and of a trip they took together into the Rhineland and Ardennes. And longer memories too, of the narrator's professional and romantic life in London, of the few times he had met up with his sister, and of their shared childhood; there are even reflections on the Battle of the Bulge, in which his grandfather had been killed on the German side. None of this is chronological; one moment we are in the airport, then somewhere else, dotting back and forth almost at random, revisiting previous episodes to add more detail.

And what does this detail reveal? At first, a pair of rather cold individuals, both with difficulties in communicating and sustaining relationships, not to mention the reclusive self-destructive Miriam. She, it appears, starved herself to death, and the inability or unwillingness to eat seems to affect her brother and father too. Indeed, neither of them is well, and an inordinate amount of the novel is spent on one or other of them drinking, throwing up, or indulging in increasingly bizarre behavior. Greg Baxter is an American author, but he has lived in Germany for twenty years, and clearly absorbed some European influences. At first, I thought this novel was a homage to the clinical objectivity of Peter Stamm, but as it went on it turned into something more rebarbative, in the manner of Herman Koch. While the fog in Munich eventually clears, there was no such easy release from this narrative, and I was glad when it eventually reached its inconclusive end.

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Rabu, 12 Maret 2014

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Obsession, by Treasure Hernandez

Tiffany is trapped in a life she never wanted for herself. The man she fell in love with turned out to be a lazy, good-for-nothing womanizer. Night after night Tiffany comes home to Blake's physical, mental and verbal abuse. She's tried leaving but he always finds her. Then one day Tiffany decides death is the only way out - and she's not the one being buried.

  • Sales Rank: #456549 in Books
  • Published on: 2015-01-27
  • Released on: 2015-01-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.73" h x .75" w x 4.09" l, .1 pounds
  • Binding: Mass Market Paperback
  • 304 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
Hood "Fatal Attraction!"
By Darrell
I enjoyed this book and finished reading it very quickly. This is an easy page turner that keeps you interested. A tale about two up coming Bosses (Quick and Lucky), who will do anything to get there. Add to it a crazy deluded poor excuse of a man (Blake), Rival Drug Lords (Sosa and Turf) , a spurned girlfriend (Kat), and an abused woman with nothing to lose (Tiffany) and it makes an interesting tale, not entirely original, but a nice piece by a great writer (Treasure) who always puts it down and has fans anticipating here next novel. Treasure's books are always well written.

The only character that there was never any closure on was the stripper called "Apple Bottom: or Nikki. You never find out what happened after Major Payne took her car and left her standing in the street with lucky.

3 of 3 people found the following review helpful.
I Lost I.Q. Points Reading This
By K.
The publisher should be ashamed for putting a stamp on this rubbish. Why are urban books held to such a low standard? It is not often that I come across a book with so many repeated grammatical errors. The writing was elementary and ignorant, the characters were shallow and unrealistic, while the storyline was unoriginal and stale. The climax fell flat and the ending was so rushed it was bound to be disappointing.

Books glorifying the street life/drug trade are really getting old, do you think this is the only thing people of color want to read about? Oh and let me guess. There's a sequel, right? *eye roll*

This is not literature. It is garbage, pure and simple. Not recommended, unless you want to read something that actually makes you feel dumber with each page you turn.

(We've got to do better!)

2 of 2 people found the following review helpful.
Has potential
By J. Goodman
I read this book in about three and a half hours. It was a decent read for what is was worth. However, I need a little more originality. This formulaic story telling is getting a bit old. And the ending was perhaps the worst ending in the history of books. I saw what the author was trying to do but it just lacked. The female protagonist, Tiffany, had potential to be so much more than just the wife of a drug dealer. The transitions were weak at best. Toward the end we are pushed ahead a few years without even knowing it. I give this book three stars because I saw what the author was trying to do.. just didn't achieve the goal. Could have been so much more.

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Selasa, 11 Februari 2014

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Venetian Venture, by Suzette A. Hill

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Venetian Venture, by Suzette A. Hill

1954, Venice. For Rosy Gilchrist the tables may have turned. Her boss at the British Museum, Dr Stanley, has chosen her to travel to Venice, track down a rare edition of Horace’s Odes and bring it back for their collection. Rosy jumps at the chance to spend time away from her capricious supervisor and hopefully indulge in a little Venetian culture

  • Sales Rank: #3075882 in Books
  • Published on: 2015-01-22
  • Released on: 2015-02-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.80" h x .80" w x 5.10" l, .49 pounds
  • Binding: Paperback
  • 320 pages

Review
Plenty of first-rate meals may be vicariously enjoyed along with copious wine drinking and chain smoking as this delightful romp takes readers through the streets, canals and bridges of Venice. (Historical Novels Review)

About the Author
Suzette A. Hill is a graduate of Nottingham and Newcastle-upon-Tyne Universities, and for many years she taught English. Her first novel A Load of Old Bones was self-published in 2005, and Constable published a further four books in the same series.

Most helpful customer reviews

2 of 3 people found the following review helpful.
I loved the characters and the location of the story
By Lori
I loved the characters and the location of the story. If you love words this story offers a great assortment of English words not usually used in American English. I look forward to reading another book by this author.

0 of 0 people found the following review helpful.
Fun Read!
By Mary Carle Warren
Enjoyed the book - the characters were fun.

0 of 1 people found the following review helpful.
Five Stars
By Madame Le Prof
I love this author and her stories! The characters are so interesting!

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Minggu, 09 Februari 2014

^ Ebook Free My Life in CIA: A Chronicle of 1973, by Harry Mathews

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My Life in CIA: A Chronicle of 1973, by Harry Mathews

My Life in CIA: A Chronicle of 1973, by Harry Mathews



My Life in CIA: A Chronicle of 1973, by Harry Mathews

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My Life in CIA: A Chronicle of 1973, by Harry Mathews

"It's outrageous that an educated man and a gifted writer like Mr. Mathews could make such a public confession of such shameful activities." Q. Kuhlmann, author of The Eye of Anguish: Subversive Activity in the German Democratic Republic

  • Sales Rank: #1444932 in Books
  • Brand: Brand: Dalkey Archive Press
  • Published on: 2015-01-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.54" h x .65" w x 6.34" l, .64 pounds
  • Binding: Paperback
  • 203 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Leading a life of letters and leisure in Paris in the late 1960s and early '70s, Mathews (Cigarettes; The Human Country; etc.) wanted to "play a part in the grand conspiracy of poetic subversion," but people mistook him for "an ordinary, paid conspirator." Idle rumors grew a life of their own for this American ex-pat writer: people thought he was CIA, and when his denials fell on deaf ears, he decided to embrace the role, a story he embellishes in this staccato autobiographical novel peppered with literary, artistic and political references. Playing spy "seemed more promising than moping at home in front of my mirror wondering how fast I was losing my hair," the 41-year-old Mathews muses as he faces middle age in 1973. So he invents a fake travel agency for cover and bones up on the language of the spy trade with the help of his friend Patrick, who does corporate intelligence work. Mathews's shaggy dog tale turns risky when agents begin approaching him for real intelligence, "Patrick" turns out to be a false identity and Mathews goes on the run. Real people—his former and current wife, his agent—share page space with possibly fictitious events—a lecture Mathews gives to dyslexic travelers with departure anxiety—in this lively bit of novelistic truth telling and biographical embellishment.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
In this Walter Mitty-toned novella, a factual autobiographical substrate blends into fiction, but who can tell where? Suffice it to say that novelist Mathews, an American living in Paris circa 1973, can't convince his French artistic friends he is not a CIA agent, so he resolves to fake the part--it beats soaking up idle time by learning ancient Greek, he thinks. Knowing a spy needs cover, Mathews sets up as "international travel counsel," and the audience attending his seminar yields several recruiting prospects. "Patrick," also in the consultancy "business," develops into Mathews' boon companion to whom he confides his charade. A second prospect from that seminar (a Russian) becomes the plot's vehicle for eliding Mathews from a world of fantasy espionage into something more real, and menacing. Strangers contact him; he accepts a courier mission; Patrick vanishes; the Soviet embassy summons him, as does French counterintelligence, which warns Mathews a Stasi assassin is pursuing him. Evolving in mood from ludicrous to serious, the yarn's inventive literary elements elegantly mesh into a stylish amusement. Gilbert Taylor
Copyright © American Library Association. All rights reserved

Review
“This is an honest account by someone (he seems at the time to have been a bit of a ne'er-do-well) who tried to play spy without knowing what the word meant and landed himself in boiling-hot water. The book, which is as exciting as any novel, proves a useful moral: leave this business to the pros.” (Colonel Raymond Russell (ret.) Counterintelligence Corps, U.S. Army)

Most helpful customer reviews

10 of 12 people found the following review helpful.
The best spy novel since Harlot's Ghost
By Slade Allenbury
It's also the funniest spy novel since Our Man In Havana. And like Peter Cary's "My Life As A Fake," the book is a thrilling exploration of what happens when fictions take on a life of their own. Matthews is known as a literary avant gardiste, but there is nothing mannered about his prose. It is lean but elegant and never gratuitiously calls attention to itself. The story on the other hand demands, deserves, and gets a reader's attention. It starts off in a light and chatty vein. We learn about Mathews' friendships with George Perec and other members of the Oulipo literary movement. Mathews' economically but effectively evokes political and cultural scenes of the early 1970s: the overthrow of Allende in Chile, Cold War paranoia, the singers and movies and ballet performers who were in the news back then. For the longest time the story seems like a pleasant trip through Paris circa 1973 with a witty and literate tour guide constantly on hand to help with the translating and the recommending of restaurants and wines. But as Mathews' masquerade as a CI agent becomes more and more outlandish, ironically it becomes more convincing, until he finds himself the target of a potentially deadly manhunt (unless of course it is all just a joke perpetrated by his Oulipo friends). The irony, of course, is that Mathews began impersonating a CI agent specifically for the purpose of convincing people that he wasn't CIA. Surely no one in the CIA would be stupid enough to behave like a CIA agent in public -- would he? The ending is both thrilling and beautiful. Every word of it is true, even if it turns out to be nothing more than fiction.

4 of 5 people found the following review helpful.
Somerset Maugham meets Austin Powers
By Debra Hamel
In 1973 Harry Mathews was an American writer living in Paris. With sufficient means so he did not have to work, Mathews's days were apparently filled with operas and ballets, erudite conversations with the local literati, the occasional bit of writing, and innumerable sexual encounters with any number of women, some of them married, who seem to have fallen on him after little more than a handshake. The picture that emerges is part Somerset Maugham, part Austin Powers, the expatriate shedding his "snug black velvet bell bottoms" for the odd sexual romp.

Mathews explains that he had a reputation in Paris for being gay, rich, and CIA--none of which was true. The last misconception particularly irked him, and he habitually attempted to convince people that he wasn't an agent. Finally, unable to quell the rumor, he tried a different approach: he pretended that he was CIA. He took every opportunity to behave mysteriously, going so far as to fake dead drops and to adopt as cover the job of secretary in a fictional travel agency for which he had stationery made up. Mathews took the whole spy game rather further than was sensible or ethical, and he wound up exciting the attention of people who ultimately decided that he'd be better off eliminated.

Mathews's adventure is certainly an interesting one--the sort of thing one might like to try oneself--but one reads the book not knowing whether it is fact or fiction, or rather, how much of the story is fact and how much fiction. That, apparently, is the point: the book, billed oxymoronically as an "autobiographical novel," plays with truthfulness and credibility. Certainly some of what Mathews has to say seems impossible, as for example his account of one particular sexual escapade in an Oriental rug emporium: when he and the woman are interrupted, she rolls him in a carpet to hide him, and he is then carried off by ostensibly unwitting laborers, who load him in a truck and deliver him across town; emerged from the carpet some time later, he insinuates himself into a dinner party and soon runs off for another bit of (unfortunately also interrupted, but in its early stages interpedal) intercourse on a nearby church altar with a woman he's just met. Part of the game for readers is deciding whether and when to believe what the authors is telling us.

Mathews's book is not all as compelling as the above story would suggest: the author writes a lot about the little engagements that made up his (character's) life in those days, down to guest lists and meals consumed, and these slow down his narrative--though they add to the story's verisimilitude, which, again, may be the point. In short, My Life in CIA is an odd but interesting book about an unlikely game that became--maybe--for a time disturbingly real.

Reviewed by Debra Hamel, author of Trying Neaira: The True Story of a Courtesan's Scandalous Life in Ancient Greece (Yale University Press, 2003)

1 of 1 people found the following review helpful.
An Autobiographical novel??
By Ignatz Shmigelski
I became aware of Harry Matthews when I heard his "Country Cooking from Central France" on Selected Shorts. Before the reading, there was some discussion of this title, and made me want to read it. Looking at the jacket, the book is described as "An Autobiograpical Novel," What the heck does that mean? His life as he imagines it?

The book is set in 1972 at the height of the cold war, and the paranoia of that time. The protagonist is an American ex-pat living in Paris. His friends make frequent suggestions that he is really a covert operative for the CIA. As a joke, or on a lark, the protagonist decides to foster this image of himself and keep his friends guessing. Not being an actual agent, he has no idea how to go about this task, but starts acting strangely or mysteriously. He soon attracts the attention of the various covert agencies who do not know what to make of this odd character, and are highly suspicious of his activities. There interest in him and his affiliations soon causes real drama.

I could not put down this book. It is a funny tale on the state of paranoia in the world at that time. Even though this is set in a particular time, we still live in a fearful society and the book easily translates to modern readers.

Highly recommended

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