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Munich Airport: A Novel, by Greg Baxter
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From the critically acclaimed author of The Apartment comes a powerful, poetic, and haunting exploration of loss, love, and isolation.
An American living in London receives a phone call from a German policewoman telling him the nearly inconceivable news that his sister, Miriam, has been found dead in her Berlin apartment-from starvation. Three weeks later the man, his father, and an American consular official named Trish find themselves in the bizarre surroundings of a fogbound Munich Airport, where Miriam's coffin is set to be loaded onto a commercial jet and returned to America.
Greg Baxter's bold, mesmeric novel tells the story of these three people over the course of three weeks, as they wait for Miriam's body to be released, grieve over her incomprehensible death, and try to possess a share of her suffering--and her yearning and grace.
With prose that is tense, precise, and at times highly lyrical, MUNICH AIRPORT is a novel for our time, a work of richness, gravity, and even dark humor. Following his acclaimed American debut, MUNICH AIRPORT marks the establishment of Greg Baxter as an important new voice in literature, one who has already drawn comparisons to masters such as Kafka, Camus, and Murakami.
- Sales Rank: #1401140 in Books
- Published on: 2015-01-27
- Released on: 2015-01-27
- Original language: English
- Number of items: 1
- Dimensions: 9.38" h x 1.00" w x 6.25" l, .0 pounds
- Binding: Hardcover
- 272 pages
Review
ACCLAIM FOR MUNICH AIRPORT"MUNICH AIRPORT confirms [Baxter] as a writer of courage and lucidity. His fluent and assured prose owes some debt to the Austro-Hungarian Franz Kafka and the Austrian Thomas Bernhard... Baxter is high literature."―New York Times Book Review, Editors' Choice
"A masterwork of minimalism."―Entertainment Weekly
"With expert undercurrents and subtext, Baxter can fill quiet scenes with the weight of a funeral...Baxter's realizations are artful, and give poignant images to a man's struggle for identity."―Austin American-Statesman
"MUNICH AIRPORT is a brilliant achievement."―Sam Sacks, The Wall Street Journal
"Greg Baxter is a writer of style...His proven brand of philosophical literature bypasses current fiction's fad for recklessly baroque construction and aims straight for the higher shelves of the Western canon."―Barnes & Noble Review
"[A] haunting and memorable work."―Hudson Valley News
"Powerful and poignant...The novel's tone, together with Baxter's limpid prose and his narrator's clear-eyed confessions, keep us riveted until the bittersweet climax, when the fog finally lifts and each broken character can take to the sky."―Minneapolis Star Tribune
"Fascinating and sad, unfolding...profound philosophical and psychological insight...The developing themes range from family and life's meanings to the role of memory and the passage of time, all illuminated by some of the best writing appearing in fiction today."―San Antonio Express-News
"Stunning... Few novels so urgently and demandingly make themselves feel as necessary as MUNICH AIRPORT."―Tweed's
ACCLAIM FOR THE APARTMENT BY GREG BAXTER"Baxter has written a novel of subtle beauty and quiet grace; I found myself hanging on every simple word, as tense about the consequences of a man finding an apartment as if I were reading about a man defusing a bomb... It is one of the best novels I have read in a long time."―Stacey D'Erasmo, New York Times Sunday Book Review
"Absorbing, atmospheric and enigmatic... With its disorienting juxtaposition of the absolutely ordinary and the strange and vaguely threatening, the novel evokes the work of Franz Kafka and Haruki Murakami, while its oblique explorations of memory suggest a debt to W.G. Sebald... Baxter's provocative, unsettling novel is, among other things, about the inexorability of identity and 'the immortality of violence.'"―Los Angeles Times
"It is precisely this sort of subversion, along with the author's shimmering prose, that makes THE APARTMENT such a surprisingly compelling read and so apropos; it captures the mood of the current moment and what seems to be a new "lost generation," one formed not so much by exposure to violence, as immunity to and alienation from it. Once upon a time, there was no place like home; in Mr. Baxter's world, home, it seems, is no place."―Adam Langer, The New York Times
"In this bleak but affecting novel, an unnamed American expat spends a day walking through a frigid, unidentified European city in search of an apartment...The details of his day are rendered with anaesthetized precision and achieve a cumulative force of grief, equanimity, and resolve."―The New Yorker
"A true gem... Lucid, often hypnotic and, at times, even transporting. [Baxter] keeps his sentences short, his adjectives limited, his pacing leisurely. The paragraphs are long and there are no chapter breaks, yet his acute observation means this is no mere minimalist undertaking... The Iraq sections are astonishingly well done, and the man's history as a Naval officer feels almost exactly right to the former Naval officer who happens to be writing this review."―Los Angeles Review of Books
"In a year marked by epics, it's a relief to delve into this quiet, surprisingly tense debut novel - small enough to fit into a stocking but packing a huge emotional punch."―Entertainment Weekly
"In just over 200 pages, The Apartment impressively and tactfully covers everything from the effects of American interventionism on its relationship with Europe to questions of personal identity."―Esquire
"'I was born to hate the place I came from.' Greg Baxter's first novel THE APARTMENT is a short but powerful exploration of that sentiment, uttered halfway through the novel by its narrator, a 41-year-old American ex-Navy officer and Iraq War veteran."―Chicago Tribune
"A beautiful meditation on brutality and culture, which are sometimes one and the same."―Minneapolis Star Tribune
"An elegant portrait of a man half-fractured, half-intact-a post-war somebody caught between repair and capitulation, controlling his own fate and imprisoned by regret."―The Texas Observer
"In the layered narratives of Baxter's piercing first novel, a young American returned from Iraq struggles to find a new life in Europe."―New York Times, Sunday Book Review, Editor's Choice
"Greg Baxter deserves to be included with Karl Ove Knausgaard, Elena Ferrante, Ben Lerner and Rachel Cusk in the current conversation about what fiction can do and where it is going."―Brooklyn Magazine
"Baxter has written another profound yet immensely relatable book."―The Acadiana Advocate
About the Author
Greg Baxter is the author of two highly acclaimed books, The Apartment and A Preparation for Death. Originally from Texas, he has lived in Europe for almost two decades. He currently lives in Berlin with his wife and two children.
Most helpful customer reviews
13 of 14 people found the following review helpful.
Munich Airport
By S Riaz
In this poignant novel, a father and son are at Munich Airport. They are planning to return to the States, where the father lives, with the body of Miriam. Miriam – a daughter, a sister - had left America years ago and was living in Germany; while her brother has made a home, of sorts, in London. They are a family split by time and distance and have had infrequent contact with each other since the mother of the children died. Now Miriam has also died and, shockingly, she was found in her apartment, having starved to death.
Our narrator is the brother of Miriam and this book takes us through the call, just before an important meeting, to tell him that his sister was dead; back through flashbacks of his life and his visit to Germany with his father . Although this sounds dreadfully serious – and, in parts, it does deal with very important issues such as what makes a family, how you react to life’s challenges and modern life – it is also very full of dark humour and emotion.
Much of the novel takes place inside a fog bound Munich Airport; where flights are delayed and people mill around waiting endlessly. Father and son are accompanied by Trish, a caring and sensitive woman who works at the American Embassy. She has her own problems, but her natural empathy means that Miriam’s father, a former historian, turns to her for understanding. Our narrator himself struggles with what happened to his sister and wonders why he did not do more to make sure she was fine; why he did not suspect something so terrible could happen? We follow father and son over their trip to Germany, the weeks of waiting, visiting Miriam’s apartment and of the sadness and horror both men feel over her death.
This is really a very imaginative and moving read. It will challenge you and make you question modern families, where expat life means that families are in danger of losing contact, that support networks may be lost and that elderly parents are left behind. Ideal for reading groups and a personal read you will find hard to put down.
Lastly, I received a copy of this book from the publishers, via NetGalley, for review.
4 of 4 people found the following review helpful.
Examination
By Stephen T. Hopkins
The first person narrator of Greg Baxter’s finely written novel titled, Munich Airport, grieves the death of his sister, laments the decline of his elderly father and ruminates about his own life. The psychological problems among the characters in this novel are more than enough for any family. What redeems the gloomy subject is Baxter’s fine writing, and the ways in which he captures the process of introspection and self-examination. Fans of literary fiction will enjoy this prose, and those readers who like psychological fiction will spend much time reflecting about the lives of these characters. By setting the action in an airport, Baxter highlights the existential loneliness that can be felt while physically present with many other people.
Rating: Four-star (I like it)
2 of 2 people found the following review helpful.
Anorexia and Other Disorders
By Roger Brunyate
Munich Airport, crowded and fogbound. An American marketing consultant sits with his father and a US consular official waiting for a flight to Atanta. Three weeks before, the narrator, who lives in London, received a call from the Berlin police to say that his sister Miriam had been found dead in her apartment. He goes to Berlin to identify the body, then, joined by his father, attends to his sister's meager possessions while both wait for the authorities to release the corpse. I found it hard to believe that they would move the coffin all the way to Munich because the father wanted her to fly out of a classier airport, or that a busy consular official would detach herself for two whole days merely to hold their hands. But these were not the only strange things in this increasingly strange book.
The 250-page novel is unbroken by chapters or subsections. The scene at the airport is gradually intercut with flashbacks of the past three weeks, and of a trip they took together into the Rhineland and Ardennes. And longer memories too, of the narrator's professional and romantic life in London, of the few times he had met up with his sister, and of their shared childhood; there are even reflections on the Battle of the Bulge, in which his grandfather had been killed on the German side. None of this is chronological; one moment we are in the airport, then somewhere else, dotting back and forth almost at random, revisiting previous episodes to add more detail.
And what does this detail reveal? At first, a pair of rather cold individuals, both with difficulties in communicating and sustaining relationships, not to mention the reclusive self-destructive Miriam. She, it appears, starved herself to death, and the inability or unwillingness to eat seems to affect her brother and father too. Indeed, neither of them is well, and an inordinate amount of the novel is spent on one or other of them drinking, throwing up, or indulging in increasingly bizarre behavior. Greg Baxter is an American author, but he has lived in Germany for twenty years, and clearly absorbed some European influences. At first, I thought this novel was a homage to the clinical objectivity of Peter Stamm, but as it went on it turned into something more rebarbative, in the manner of Herman Koch. While the fog in Munich eventually clears, there was no such easy release from this narrative, and I was glad when it eventually reached its inconclusive end.
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